By
this time I was in deep. This record was the peak of my political involvement,
obsession, activity - all of it.
I'd spent the winter of 1984 in South Africa
meeting with every organization I could and agonizing over what way to go musically.
Rock or Dance. I felt international dance music was more appropriate for the international
themes I was getting into but I was reluctant to totally leave rock behind.
Meanwhile
my personality was going through a radical transformation. I was becoming a soldier
in some abstract global war. I was ready to die for it. Although I'd always had
anxiety about flying, I lost that completely on the long flight to South Africa.
I felt myself grow harder, colder.
I started hanging out with battlefront photo-journalists
and getting into that hit-and-run lifestyle. I felt estranged from my family and
friends. I was totally obsessed with finding the story, the truth. And nothing
was going to stop me from getting it.
It was difficult to get the people on
the street to talk about the economic boycott since it was literally illegal for
them to do so but I eventually got them to open up. I had three strikes against
me as far as the black people were concerned. I was "white," I was American,
and I had a Dutch name. My general freaky appearance eventually won the day. They
knew the government had spies everywhere but I was a bit much, even for them.
Government
troups had occupied the township of Soweto, which was the ghetto where they forced
the black people who worked in Johannesburg to live. I slipped by the guards under
a blanket in a car to meet with the Azanian People's Organization (AZAPO), the
most radical faction of many factions I would meet that wasn't in exile. Their
closest American equivalent would have been the Black Panthers if the Panthers
had been forced to go totally underground. They were an extremist blacks-only
faction and were on the edge because of the military siege among other things.
There were 12 or 15 of the leadership who had gathered for the meeting. The
topic of conversation for the first hour was whether or not they should let me
live. They considered it a violation of the boycott for me to even be there.
Their
threatening attitude didn't move me since I was in total I-don't-give-a-shit-about-anything
mode by this time. I calmly explained to them that their concept of revolution
was totally antiquated and they were doomed to failure. Revolution wasn't gonna
happen from guns and blowing things up anymore. It was gonna happen on TV. And
the reason they should let me live was I could get on TV and they couldn't. It
took two or three hours but eventually, reluctantly, they bought it.
I
visited Capetown, Johannesburg, Pretoria, Boputhuswana to see the famous Sun City
resort, and flew to Harare, Zimbabwe to meet with the A.N.C., the main "moderate"
faction that Nelson Mandela led from Robben Island prison. I saw the prison but
they wouldn't let me in.
I wrote "Freedom," "Sun City,"
"Pretoria," and a song called "Hunger" which
was about people starving in Ethiopia while the government threw a 200 million
dollar party celebrating the anniversary of their independence or something. Bob
Geldof's thing came out soon after so I dropped it. Out of everything I had been
looking at, South Africa hit me the hardest. I had never seen slavery up close
and I couldn't get it out of my mind. I decided this issue needed more attention
than my own albums could ever bring to it so I pulled "Sun City"
off the album, changed the lyrics, added 50 artists, and made it it's own thing.
When I got back I went to Nicaragua with Jackson
Browne and visited the Pine Ridge and Six Nations (Onondaga) Reservations,
which Jackson helped set up for me.
Nicaragua was at a critical point at that
time. The Sandinistas, the rebel group that overthrew the brutal dictator Anastasio
Somoza (the U.S. Government's good buddy), had been legitimately elected to run
the new government. In response, the Reagan administration's security apparatus
and "off the book" friends had organized, funded, and trained the biggest
group of terrorists ever assembled by a Western power (around 10,000 at their
peak) called the "Contras." The purpose of the contras was to murder,
create terror, burn villages, and otherwise create as much havoc as possible against
the people of Nicaragua.
I had looked at Brazil, Argentina, Chile, Uruguay,
and Paraguay in South America -- all of which had brutal military dictatorships
terrorizing their respective populations and all of which had U.S. government
and/or corporate support. But our government's most direct activity had moved
to Central America -- Panama, Honduras, Guatemala, El Salvador, and Nicaragua.
Nicaragua had been the only country in the area since Cuba to actually free itself
of outrageous oppression and now our government was trying to illegally overthrow
their internationally-monitored elected government.
I
had decided that South Africa was the key to beginning to solve Southern Africa's
numerable problems and I felt that same way about Nicaragua being the turning
point for Central America. Regardless about what I thought about the Sandinistas,
I had to do everything possible to stop the terrorism against the Nicaraguan people
by my government and try to head off the increasingly likely prospect of a military
invasion. This invasion would be justified under the pretense of trying to prevent
Nicaragua from supplying arms to rebels in El Salvador (who by the way were trying
to overthrow their own brutal military dictatorship). I also spoke as often as
I could about the fact that Reagan and his people were trying to re-militarize
Costa Rica, through bribery and threats, to use them as a Southern front in this
illegal war. This in spite of the fact that Costa Rica was the only country in
Central or South America that was truly peaceful because they had completely disbanded
their military years earlier.
We met with the various ministers and central
committee members of the Nicaraguan government who would take us around showing
us the improvements they were making and plans they had. I immediately pissed
off the agriculture guy who was explaining with great pride their land reform
plans. He said the land was completely liberated and the people and entrepreneurs
were free to do anything they wanted with it. I said anything? It is important
that we are very clear about what is going on here because we will be reporting
all this stuff back to America. Yes, he said, total freedom. So I can buy this
land right now, I said, and put a McDonald's up, right? Well not exactly seņor,
he laughed and tried to change the subject. Look, I said, I don't care what you're
doing. I'm sure you have a good plan and it's none of my business. But just be
straight and accurate with us so we don't look like jerks reporting an inaccurate
picture of what is going on here. When we say freedom in America, generally speaking
on the subject of land, we mean it literally and you do not mean it literally
so let's not allow our cultural communication differences turn us into bullshitters.
Now he was pissed. Discussion over.
Like most governments in the world, about
half of the committee members were OK and about half were incompetents, ideologues,
or idiots. We were told we would meet the President, Daniel Ortega, on our third
day or whatever and I said that's fine but I really want to meet his wife. After
you spend a little time in politics you learn where the power is and try to get
to it as quickly as possible. In politics, as in life, the wife is usually a good
place to start.
So I met her and she was great. Most of the government officials
didn't really want any input or criticism, they just wanted a rubber stamp approval
from whatever mindless liberal happened to come through. But she seemed different,
she gave the impression she really wanted to know what I thought. So, you know
me by now, I happened to have a few things on my mind. I suggested three things.
First, I said if you want to stop this war you've got to get your husband out
of his Fidel Castro fatigues and into a three-piece suit. Television is everything,
and image counts more than you can possibly imagine. Second, I had read an early
draft of the new Nicaraguan constitution and it had a real big flaw. There was
something in there about the Sandinista party being the official party of the
country, or their flag being the official flag or something along those lines.
I told her the rest of the document looked great but unless they separated party
affiliation from national governance they were doomed. Multi-party democracy means
no favorites, regardless of how many war heroes or liberators a specific party
might have.
I asked her if she considered herself a communist. If she had said
yes it wouldn't have thrown me. I'd studied the subject enough to know everybody
defined their own brand of communism differently. Some with malevolent results
(China), some benevolent (Italy), some a combination of malevolence, corruption,
and stupidity (Russia), and some somewhere in between. She said no. Did any government
officials, I asked? She mentioned a few and explained how Castro was a big hero
to the whole hemisphere because of his success in overthrowing Batista and, in
spite of his dubious human rights record when it came to individual freedom, maintained
that status. She thought the communists would have their own party eventually
and didn't feel they were ideologically extreme enough to be a real factor in
the plans her husband had. I said OK well here's the third thing. Get a New York
lawyer and the next time The New York Times calls you a Communist country
or Communist government, sue them. I explained the word Communist in the U.S.
means something different than in any other country in the world. It is an epithet,
plain and simple. It is also, literally, a license to kill.
Anyway, we split
and eventually Ollie North got caught, the contras disbanded, the war ended, and
the Sandinistas were voted out of power, probably by our CIA rigging the election.
I couldn't have cared less to tell you the truth. You meet enough of them and
you realize most politicians are assholes regardless of party affiliation or revolutionary
credentials. As long as innocent people weren't dying or being terrorized with
U.S. involvement, I moved on.
I visited the Onondaga Indian Reservation near
Syracuse, New York and Pine Ridge Reservation in South Dakota, the site of Wounded
Knee and two tumultuous events in Indian history 83 years apart. I was getting
a crash course in Indian politics, culture, and religion.
The first thing that
hit me was how much was going on with absolutely no attention at all from the
general non-Indian public. There were (and are) hundreds of land disputes, denial
of access to sacred sites, grave robbing and many other issues resulting from
the 370 treaties that have been broken by the U.S. government. Not to mention
the efforts to store nuclear waste on Indian land, led by Hazel OLeary,
later picked by President Clinton to be Secretary of Energy.
Native American
religion, and art, are so integrated into daily life that I had trouble finding
those words in any Indian language. The essence of Indian religion is that the
Earth is sacred and all living and "non-living" things are equally sacred
and respected as separate but equal parts of an integrated universe. Nature and
natural law are not the enemy and something to be conquered and controlled but
should be understood and lived with in harmony.
Indian people are defined by
their bloodline but that should not be the only criteria. They are the original
environmentalists and issues like pollution and mining have been major issues
since gold was discovered in the Black Hills in 1874. The "Americanization"
of Indian people started pretty much with the Mayflower and continues today. Indian
children were brought to American schools and their culture was literally beaten
out of them. The most successfully Anglicized and co-opted of the Indian people
would be picked to run the U.S. government imposed "Indian" governments
on the reservation. These no-longer Indians except in bloodline would sign the
agreements allowing corporations to mine Indian land, a direct violation of the
most fundamental tenets of Indian religion, creating tension and pollution problems
that continue today.
Overall, I found very little communication between the
surviving 350 Indian Nations. Like all defeated nations, the divide and conquer
strategy of the victorious U.S. government worked beyond the wars of the 19th
century and is still working today. We started Solidarity Foundation in the early
80's to serve as an information gathering and networking service between the Indian
Nations, the Indian Nations and the non-Indian public, and the Indian Nations
and environmental groups. Our original thought was to give it an international
scope, which is why Solidarity became the umbrella under which Artists United
Against Apartheid fought the good fight against apartheid in South Africa. But
soon after the victory in South Africa, we realized there is too much going on
in our country that needed attention to be able to deal effectively with international
issues on a regular basis.
One of the most important functions of Solidarity
was (and is) the encouragement of economic development in harmony with the Earth.
The issue of gambling had become a major internal struggle in Indian country around
this time and the controversy continues today. The elders of the National Treaty
Council were against it for general reasons of morality but the potential for
new revenue to many poverty stricken nations was too good to resist. For the first
time I found myself disagreeing with the elders so out of respect Solidarity pretty
much stayed away from the subject. Maybe it was my New Jersey-Italian-American-Rat
Pack upbringing, but I thought it was a great idea. I figured it's non-polluting,
an enormous source of reserve, and it sure beats selling beads by the roadside
to backpackers looking for a weekend commune with nature. If it was handled properly
- and that's a big if - I thought it could totally turn things around for the
whole culture. That meant owning and controlling it and using the money to build
and maintain Indian-oriented schools and curing the rampant poverty, unemployment,
and devastated infrastructure. Ethnicide has two essential initial components.
Take the land and kill the language. The land we pretty much know about but the
Indian languages are dying at an alarming rate and unless that is turned around
immediately, they will be lost forever.
This album would be about the State,
the State of the Nations. I would use the three examples of Native America, Central
America, and South Africa. What was going on in those places as a direct result
of United States' policies would be the subject and main theme of the record.
Musically I decided I couldn't decide. So I put dance rhythms on the bottom
and rock on top. It ended up an interesting hybrid of the two styles and I think
the combination of elements made it my most original piece of work. It's also
the best production I ever bothered to do for myself so the sound holds up pretty
good.
Freedom (lyrics;
audio) The usual
set up for the album.
It pretty much says everything I just talked about in
the previous two pages.
Trail
of Broken Treaties (lyrics;
audio) The
first of the specific thematic songs, and one of two about Native America.
Assuming
the role of the character speaking in "Solidarity", "Los
Desaparecidos," "I Am A Patriot," and "Undefeated"
on the "Voice Of America" record really
worked for me and I continued to do it on all of the "Nations" songs
that relate directly to the theme on this record.
I would absorb all the information
I could about the subject I wanted to talk about. Then I'd take the subject and
see where it touched a specific culture. I would immerse myself in the culture
any way I could until I got a sense of how the culture and the subject interrelated.
The challenge then was to find the emotional key to the situation that would illuminate
the subject in the context of the culture and be turned into a story. I had to
find that common ground or else you end up imitating somebody else's life or going
through some intellectual exercise of finding out information and learning nothing
about yourself.
"Trail of Broken Treaties" was inspired by
the march on Washington in 1972, organized by several different Indian groups
including the American Indian Movement, to assert Indian sovereignty. The march
and its historical context is documented in Vine Deloria, Jr.s book,
Behind
the Trail of Broken Treaties.
I made one of the most painful screw-ups
of my entire recording career on this song. A friend and legendary artist Floyd
Westerman sang on the choruses and for reasons I will never understand he
got mixed too low to really hear. I don't know how but I didn't catch it until
it was too late to fix. I tried remixing it several times to correct it but we
couldn't get the mix to work as well. It's my only regret on the whole album.
Pretoria (lyrics;
audio) One of
the two specific South Africa songs ("Sun City" would have been
the other).
Again done in character.
I met the great South African artist
Johnny Clegg somewhere along the way in this period. He and his band Juluka would
do some songs in English and some in Zulu. The Zulu songs were always my favorites
and their album "Musa Ukugilandela" is one of my favorite records of
all time.
So in the spirit of Juluka I did the verses in English and chorus
in Zulu. The Zulu language has a fantastic texture when it is sung and the Zulu
harmony style is also quite distinctive. Danny
Schechter, my first partner on the Sun City project, hooked me up with the
Sechaba Cultural singers and the South African Students Committee at UCLA.
I
jumped from the character singing the verses to my own first person thoughts in
the bridge. It was an odd move but I liked breaking the rules a bit and crossing
the line between author and character. The bridge was written in a completely
different style to dramatize the break in the fourth wall and I got a rare chance
to dwell a moment on imagery rather than exposition.
I have never felt the
depth of the passion and anger I experienced in South Africa before or since.
Generally speaking, the older I get, the less I feel I really know. But once in
awhile you get a moment of clarity. You don't know why or how it happens but suddenly
there is no doubt, no distractions, no past, no future, no thought at all really.
I remember looking up at that statue of one of the architects of the apartheid
system in Pretoria and, in spite of all the conventional wisdom of all the most
respected politicians, journalists and pundits who, with virtual unanimity, believed
South Africa was invulnerable, thinking, you are coming down.
Bitter
Fruit (lyrics;
audio) From
the book
by Stephen Schlessinger and Stephen Kinzer.
Main theme. In character. I was
amazingly consistent on this album I must say.
The song is pretty self-explanatory.
Ruben Blades sang half the
lead vocal. He was so inspired by the song he went back to Panama to run for office.
I'm kidding. I was (and am) a big fan of Ruben's work and was honored by his participation
in the song and video. I was never completely satisfied with any of my videos
but this one was pretty cool.
Ruben suggested a word change in the second verse
which I used. It was originally written "I have a sister she loves to dance"
and he suggested dream for dance. Fantastic.
No
More Party's (lyrics;
audio) A
more general bit of philosophy here about despising all political parties pretty
much equally.
Comic relief really.
George
Clinton was recording down the hall with Sly
Stone and he invited me in. I was trying to figure out how they managed to
be so divinely funky but it was impossible. Part of the funk equation that I loved
was Sly's singing really low. It was, and is, the ultimate casual and conversational
singing style. I would not only emulate him as best I could on this song, but
the whole next album. Gil Scott-Heron's got that thing going too.
George was
going to sing on this until he Read the Lyrics and Hear Real Audio Clips. He was
like -- we got away with it once on Sun City but I ain't trying it twice.
He called me the ultimate craziest political MF in the universe. I took that as
quite a vote of confidence from a genius like George who is not exactly shy and
retiring himself.
Can't
You Feel The Fire (lyrics;
audio) A
more general - add some different emotional color and social architecture - type
song.
It serves as the counterpart to "Freedom" to keep the
album balanced.
When I was in Italy talking to the press about this record
in '87, one of the things I did was a weird interview show in Rome. The interviewer
was none other than Ronnie Wood from the Stones. Of course his first comment was,
you stole my title. I hadn't thought of it but he was right. He had this same
title on his first album like fifteen years earlier or whatever. Had I remembered
that I probably would have stolen it anyway.
Native
American (lyrics;
audio) The
other Indian song. Same method of operation. In character, etc.
I think Floyd
Westerman did the Lakota translation.
A reggae song about Indian philosophy
- something a little different for Bruce, wouldn't you say?
The double entendre
title worked nice for me and the rest is what it is.
Sanctuary (lyrics;
audio) The
Sanctuary movement is actually an ancient tradition in the Church (remember Quasimodo?).
(Notre
Dame De Paris - Victor Hugo)
The modern version which was controversial
in the '80's was American churches giving sanctuary to political refugees from
Central America who were being oppressed, tortured, and murdered by our government's
fascist buddies. Of course the Reagan Administration did everything possible to
stop it, and was pretty successful because of illegal break-ins and intimidation
by our various national security organizations.
The Statue of Liberty line
seemed to be everybody's favorite on the album, which just goes to show you no
matter how hard you work on the serious stuff, it's the jokes that people remember.
Little Steven
© 2000, www.littlesteven.com