Q & A Part 1 | Q & A Part 2
Q & A Part 3| Q & A Part 4
36. I've read the lyrics to your song Education and I'm curious, given your numerous critical comments regarding teachers and schools in other lyrics, could you share your thoughts on the difference between education (as you define it in the song "Education") and schooling?
  I assume by "schooling" you mean the basic public education system in America.

For starters our classrooms are too big. Every teacher I've ever spoken to has told me 10 to 15 students per class would be ideal, 15 to 20 at the most. Our classrooms average 30 to 40 students which means they aren't getting the individual attention they need and that makes a big difference.

Teachers are grossly underpaid and, in far too many cases, under qualified, and that is not their fault. It is a system which not only has failed to evolve, but is no longer effective on the basic reading, writing, and arithmetic level. My generation's school years (the 50's and 60's) are considered the golden years compared to what is going on now. But you know what, the system wasn't much better then.

Time needs to be spent determining and encouraging a child's inclinations and supporting their individuality, not destroying it.

At the same time, teachers must find a way to make the basics interesting and relevant. They must find a way to communicate a practical application for what they are teaching, to make education sexy, rather than making kids memorize a bunch of shit that they won't have any use for or understand for 10 or 20 years. Teachers are competing with TV and movies. They need more show biz.

We need to teach what it means to be an American. We must teach respect for ethnic backgrounds and discuss countries of origin, but we must define what being an American means.

We need to teach our true history. In spite of all our mistakes there is plenty to be proud of and if we teach America as a work in progress, kids might feel like they are part of this thing and, who knows, might even vote when they are eligible.

We are the only country in the world that considers the arts unimportant. Half of the arts related budgets have been cut and the other half are an afterthought. The arts are not a luxury, not a secondary consideration, they are essential to a healthy individual and a healthy society.

I see life in terms of revolutionary war. This war is fought with education, not guns and fear, and measured by enlightenment, not how powerful your corporate position is or how much money you have in your bank account.

Teach kids the truth. They can handle it.

37. I love Born Again Savage. Are you going to do any more records in the near future?
  Probably but I'm going to need a little encouragement from now on. I've said pretty much everything I needed to say for the moment.
38. My passion is The Rascals (thanks for introducing them at the Rock & Roll Hall of Fame). Considering you have worked with Dino, do you think there is any chance that those feuding knuckleheads will ever bury the hatchet and play again?
  Tragically, no. I spent years trying to get them together but logic and reason and historical significance don't seem to be factors in the equation anymore. I always have a grain of hope but time is running out.
39. I'm from Cleveland and was wondering if you have stayed in touch with Kid Leo? I know he's working in NY. I sure do miss his radio show on WMMS. The radio stations here now are terrible. I remember every time you guys came here for a concert, he would come out and introduce you. It was great!! I also remember when I was in high school you were here for a "Coffee Break" show at The Agora, and my mom let me leave school early so I could go home and listen to it on the radio (I wasn't old enough to get in). I even taped it. There's nothing like that here anymore. The days of Cleveland having the best radio station are long gone!!
  Leo is alive and well and I speak to him regularly. He took a gig at Columbia Records when he saw radio going to hell and he's been working in New York ever since.

Once the DJ's lost their freedom radio never recovered. Not just in Cleveland but nationally.

Now we are losing Vin Scelsa, the last of the free form jocks, and the final nail in the coffin that once was WNEW FM, one of the first important rock stations in the country. Everybody should send him an email to thank him. He'll continue on the web and starts a new gig at WFUV-FM Saturday, February 3 and every Saturday from 8pm to midnight.

40. You were able to make a positive difference in the world by exposing apartheid for what it was (apart/hate) thereby initiating the change in the South African government structure. What suggestion(s) do you have about how we can, in our everyday lives, make a positive difference?
  Support Ralph Nader. He has all kinds of literature that talks about community involvement on a grass roots level.

Organize.

It doesn't have to be a big issue. Focus on local, attainable goals.

Keep learning. Keep growing.

And never give up hope. There is a lot of us out here who feel the same way about things.

41. Born Again Savage is a great record. 'Saint Francis' and 'Tongues of Angels' have to be two of the best tracks you've written. I was wondering what your thoughts are on religion in general being called a "crutch for the weak"? There seems to be a hint of pessimism/fantasy/longing in your lyrics that are never resolved, which is what is so appealing about the record. Are you advocating surrender to a higher power as comfort in the face of adversity or as an alternative to the frightening realization that things are going to get worse and change on an equal scale for all can only be bought? It seems to me that spirituality can sometimes be confused for a safety net to land on when one jumps from the cliff of reality. Thanks for being a part of the best TV show, tour and album of the year. Rock On!!!
  Thank you. "Savage" was a difficult record to write and I'm quite proud of it.

I assume you're referring to the recent Playboy interview with Governor Ventura. I've never met him but I like him and I must admit I cringed a little bit when I heard that. When you read his comments in context though he's actually being more critical about the power of the religious right.

People who are passive about religion, taking the Bible literally, letting the priest or preacher do all the thinking, could legitimately be accused of being lazy about their spirituality. Some use it as an excuse to avoid learning about themselves, or avoid confronting one's parents, or whatever. Generally speaking I feel life is tough enough and whatever helps get somebody through the day is beyond criticism. As long as they're not hurting anybody, any animals, or the environment, or trying to impose their beliefs on me, who cares? You've got to admit though - what an unbelievably ballsy thing for a politician to say.

I left a lot of the songs on "Savage" intentionally vague and unresolved to allow greater participation by the listener.

I would never advocate surrender to anything or anyone. The truth maybe. But that's it.

There is no higher power than yourself.

Spirituality is not a safety net for jumping off the cliff of reality. It is the path that will guide you safely down the cliff and up any mountain you choose to climb.

As I've spoken of before somewhere {note from Holly: See Born Again Savage Essay}, my spirituality is based on logic and reason and science.

It is reality.

42. I still get chills when I think of the tour's closing night July 1, 2000 at the Garden when the entire place was on their feet chanting "E Street Band." What were you feeling?
  At one with the universe.
43. Your body of work is extraordinary in its' diversity. Each of your 5 CDs has a very cohesive sound and message to them but each one is quite unique and distinctive. Do you approach each recording session with a specific musical style in mind? And, how much latitude do you give the other musicians working with you?
  I wouldn't recommend this approach to anyone hoping to have a career or sell records, but artistically it has been quite a satisfying adventure.

Yes I approach each record with a specific musical idea as well as a compatible, cohesive concept for the lyrics.

I've always selected the musicians that I feel will fit the concept at the time. I'm pretty specific with the drums as far as the type of fills that are played and making sure the tuning is appropriate for whatever I'm into that year. The rest is usually whatever works. No parts are written unless I'm working with horns or strings. In those cases I usually call La Bamba and sing him the parts and he writes them out.

44. I saw The Sopranos a few times and found it quite difficult to watch; guns, violence, pain, money-means-everything. In your work you are against these things, you sing for peace, love, forgiveness, freedom etc., yet you act in this program. I know it's just acting, but don't you think you could initiate wrong thoughts in people's heads - especially young people? I think it's hypocritical to say you're against war, guns, hate etc. and then act in this program.
  Well fuck you!

Just kidding.

Silvio answered before I could stop him.

Before I participate in any kind of work I ask a couple of simple questions.

Is it of the highest conceivable quality?

Does it express the truth?

Is it insightful?

Will it engage people and stimulate an intelligent conversation?

Is it something I would want to watch (or listen to, or read)?

In addition to the literal truth, is there a universal truth being expressed, metaphorically or symbolically?

Etc.

I have always been interested in gangsters and outlaws. This is probably why I played Rock and Roll all those years. As a kid all I remember is Cagney's gangster movies, John Wayne's westerns, war movies, and an occasional horror flick. All of which contained violence, prejudice, rewritten/romanticized history, and fantasy. And yet I grew up against guns, an American Indian rights advocate, anti-war, and most all of my work rooted in hard core reality.

Go figure.

Maybe it's the values instilled by one's parents and family that matters most and not the input from the external media.

As I've said many times, anybody watching The Sopranos and deciding to run out and join the mafia truly does need a psychiatrist. We go out of our way to portray that lifestyle as realistically as possible. There is no romanticizing or glamorization going on. One of the great achievements of the show is showing how mundane that lifestyle is without boring the audience to death.

Consider for a moment what the show is all about.

It is about having two families, one at home, and one at work, and how you balance the two and cope with the modern dilemma of never having enough time for either one.

It is about men who are watching the daily disintegration of the only life they've ever known. Watching the way they make their living and support their families becoming more and more irrelevant every day.

It is about the destruction of a value system that generations lived by. The end of all things once considered tradition.

It is about the confusion and insecurity felt by people who are in the middle of some of the most dramatic cultural changes that have ever taken place in the history of the planet.

The show does not advocate or encourage anything I am philosophically opposed to in real life. And even if it did, if it was casting light on a subject worthy of thought or discussion, I'd still do it.

I consider it a compliment that you would suggest that anything I participate in is an endorsement. That happens to be true. But remember art is not life. Art, at it's best, illuminates and dissects and exaggerates and dissembles and reassembles life in a way we may not have thought of and, by doing that, helps us understand ourselves and the world around us a little bit better. And keep in mind art speaks to a place and a time. What is meaningless or even offensive today may speak to you tomorrow and surprise you with its revelatory truth.

Do you believe that Anthony Hopkins is endorsing serial killing by being in "Silence of The Lambs"? Is Michael Douglas endorsing greed by being in "Wall Street"? Do you think Joaquin Phoenix thinks it's okay to murder his father because he did so in "Gladiator"?

Repeat after me.

It's only a movie, it's only a movie....

45. Any thought ever given to scaling it down to an "unplugged" or "Nebraska" type of project, featuring either new material or some "best-of" stuff?
  Anything's possible.
46. What is your position on the Middle East conflict?
  It is not an issue I've studied or gotten involved with.

All I know is this.

Anybody who wants their own homeland should have one.

Terrorism is wrong.

Oppression is wrong.

Every political problem has a logical solution.

Applying that solution can be difficult but that doesn't change the facts.

The U.S. or the U.N. or somebody needs to sit down with everybody, see what they want, and figure out a logical, compromised solution. I assume they are doing that but nothing seems to come of it.

There has to be a way of figuring out how to achieve an independent Palestinian nation and a secure Israel.

If that goal is agreed upon by everybody then it's just a matter of where it is.

If Jerusalem is the stumbling block then make it a joint capital. A neutral zone both countries share. All three of the main Semitic religions came out of there anyway so why not let all three share the sacred sites and maybe learn more about each other.

I'd have to spend some time researching it to give you a definitive answer but it is frustrating and ugly to watch this Groundhog Day-Merry-Go-Round of death go on and on for the past 30 years.

47. Why is Revolution impossible to buy? And Freedom-No Compromise and your other early CD's?
  All of my stuff is difficult to buy except "Born Again Savage" which nobody bought. Oh, the ironies of life!

I'm trying to get my records back and make them available on the website but no luck so far.

Roy Lott call me!

48. What do you think of the current pop music scene?
  I don't.
49. I am looking for the chords or tablature for 'I am a Patriot' - it's a song I've practically grown up listening to and I'm hoping to learn to play it. Do you know where I might find them? And more generally, do your well-founded objections to such businesses as Napster etc. extend to the OLGA or people distributing tablature or chords for personal use on the Internet?
  I don't know where you would find the chords or tablature to any of my music since I have never published a songbook. As long as OLGA and those kinds of sites are helping people out without charging them, I got no problem with it. You take your chances on whether it's accurate or not, but it could be helpful.
50. I often purchase cassettes or CDs after hearing one or two tracks on the radio that I really enjoy. Several times, I've purchased a cassette or CD and was pleasantly surprised to read in the liner notes that you were involved with the writing, playing and/or production. The first two that come to mind are Lone Justice and the Arc Angels. Can you tell me some of the other artists you've worked with (other than Jersey-based artists - I already know about them) and if you are planning or doing any co-writing or production work in the near future?
  Nothing planned. We'll have a production list up shortly with all the artists listed.
51. Which Ravi Shankar recording would you recommend as a good introduction to his music to someone whose only exposure to it has been "The Concert for Bangla Desh"?
  His records go in and out of print so I would suggest buying a few and finding which you like best. I'll look around and if I find something I'll update this answer. You can't go wrong, he is the best.